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Ventnor Theatre V WEYMOUTH AND VENTNOR AVENUES SATURDAY, SUNDAY, MONDAY In the South Seas to Love Is to Risk Death The REX INGRAM Production "Where the Pavement Ends By John Russell * * with Alice Terry and Ramon Novarro T\ijou Theatre !3^0^)nlhe Board aiSoufh CarotirvaAvc SATURDAY, SUNDAY, MONDAY, TUESDAY *rhe Fred Niblo ' • , •' . ' .■ , /. , V < . '■ . •. : . , . Production The Famous Mrs. Fair Shaking shoulders and cocktails Painting the town and her lips red ~ - ‘ Burning up cigarettes and moonlit roads While Mrs. Fair was away getting famous, her daughter, Sylvia, knew all the flapper follies. They have their price! CAPITOL ™ MARYLAND AND ATLANTIC AVENUES SATURDAY, SUNDAY, MONDAY, TUESDAY ► UMIfc ? CurvNl i)OWN TO THE SEA.IN SHIPS1 A breath-taking battle with an enraged 90-ton “Bull” whale, in a tale replete with thrills, romance and adventure AT THE PLAY By akthtjb q. walks* IN THE NEXT ROOM—a mys ■; tery-meiodrama by Eleanor Robson and Harriet Ford. At the Apollo all this week. THE CAST The Characters The Players Parks (Vantine’s Butler) ....George Riddell Lorna Webster .Mary Kennedy James Godfrey .Horace Bra ham Philip Vantine .Wright Kramer Rogers (Vantine's Footman), Morris W. Ankrum Richard Lester ..H. Langdon Bruce Felix Armand .Paul Leyssac Commissioner Grady (Of the New York Detective Bureau) ....Wm. T. Clark Simmonds (His Assistant)—Paul Huber Kelly (A Policeman).Edwin H. Morse Julia (Maid to Madame de Charriere) .Beatrice Prentice Madame de Charriere, Cornelia Otis Skinner Pigot (Head of the French Detective Bureau) ...rrr..Joseph Macauley It must be confessed that it was all very thrilling—in fact quite the most exciting thing we have seen on the stage since “The Monster” instilled its mechanics into our sterile brains. (Formerly Woods) Boardwalk at Ocean Ave. NOW PLAYING ELMER. CLIFTON) DOWN TOTHB SEA IN SHIPS A breath-taking battle with an enraged 90-ton “Bull” whale, in a tale replete with thrills, romance and adventure. Continuous Performanpe: 11 A. M. to 11 P. M. But “In the Next Room” is rather devoid of mechanics though the plot hinges a little on a certain mechanism. It is truly a melo drama of -mystery well written, instilled^ with dialogue and pre senting £ vehicle requiring acting for every part, though most of it is of the “type” design. Originally titled “The Boule Cabinet,” which article is situated in “The Nej*t Room” of the first act, the play revolves about the presence in this room of a certain wonderful French Cabinet of rare design. The adventures about this cabinet’include two murders, a mysterious personal transfor mation, a drugging, sundry plots and counter plots that are only visioned and lots of things that are very mysterious and ap parently, in the class of sus pected clues, but not pertaining to the case. Hardened though we be by many years and many mystery plays, it must be admitted that this concoction by Eleanor Robson and Harriet Ford from a story by Burton Stevenson was sufficiently You and Your Friends Are Cordially Invited to Attend a RECITAL Under the auspices of The National Exhibitors, Inc. AMPICO HALL 1729 Boardwalk Brighton Block Atlantic City Friday Eve., May 25,1923 8.30 o’clock Among the Prominent Artists will be ERNA CAVELLE, Soprano EVAN PROSSER, Tenor . AND THE AMPICO Dancing will follow the Concert Admission Free When you spend $40 to $50 get its value Price is important in buying clothes, but only when it indicates the value of the suit. When a low price appears on the ticket, the quality disappears from the garment. You cannot produce a well-tailored suit of the finest quality, all-wool fabric, handstitched and expertly cut at an absurdly low price. Kuppenheimer GOOD CLOTHES HALPERN BROTHERS 1736-40 Atlantic Avenue » Tjtoiroo IMBBPWMM>WMMM>Mi»»awSiwa8B<iWMar — “Where the Pavement Ends**—Ventnor Theatre, Sat., Sun., Mon. clever to hold us to our seats and make us forget all else but the play, try as we would at many points. In going back to “The Argyle Case” of several years past and in which we believe Miss Ford had a hand, if recollection serves, there is a certain similarity in construction—a likeness in good dialogue. But this play has the added inception of someone who hag, appreciated the cleverness of the modern mystery and at the same time avoided the excess of claptrap which consumes many of the so-called “mysteries” of the Hay. There is some very good acting in typifying the parts, though hardly any of the names were familiar to us before the curtain rose. George Riddell, as the Butler, first appeared and did a splendid nervous bit. Mary Ken nedy, a young, pleasant and alto gether effective actress, held the heroine role most satisfactorily. Wright Kramer made up a polished gentleman of refined tastes and doubled back in a small role. Morris W. Ankrum, a nervous footman, did a rather hard part very well and Paul Leyssac also added French qualities. Beatrice Prentice had some feverish moments and there was a brief part by Cornelia Otis Skinner. Charles Scbeuer’s Weekly Helpful Roar at Lion’s Club It is a fine thing to be yourself. Eddie Cantor At Apollo Next Week In two acts and twenty-seven scenes, and regarded- as the crowning climax of Winter Gar den achievement, “Make It Snap py” bringing Eddie Cantor, of Ziegfeld Follies' traditions, as the pivotal character, will be the event of next week at the Apollo Theatre. In support of Mr. Can tor are the pick of the world's foremost artists. Principally are Lillian Fitzgerald, Lew Hearn, Joetlpp, Muriel De Forrest, John Byan, Tot Qualters, Kelo Broth ers, Ingred Solfeng, LeRoy Duf field, Charlotte Woodruff, the Eight Blue Devils, Betty Dair, and at least 75 dainty diapha nous divinities—meaning the fa mous Winter Garden chorus. For added value, the Cleveland Bron ner Ballet, with scores of danc ing nymphs who seem an em broidery of fantastic passion and color, will serve as one of the ar tistic high lights of the perform ance. In “Make It Snappy,” Ed die Cantor, who is positively a genius as a black and whiteface singing comedian, takes full op portunity of the greatest op portunity of his career—accord ing to all advance, reports. TO A TRAGEDIAN The play of Hamlet with the Dane left out Is held to be the absurdest sort of sin; But as you play it, sir, there is no doubt ’Tis twice as funny with the Dane left in. > She acted, and he managed her Through all the various stands Until he married her, and then The management changed hands. —Charles Scheuer Steacys Candies Nut and Cream Filled SALT WATER TAFFY Send a box to your friends Parcel Post Week-End Specials—Friday, Saturday, Sunday PEANUT CLUSTERS Regular 80c-60c Two Stores: 5207 VENTNOR AVE., Ventnor Theatre Building BOARDWALK AND NEW JERSEY AVE. “AT HOME PORTRAITURE” VOGUE STUDIOS Specialists in Portraits by Photography 1418 ATLANTIC AVENUE Pbone-Marine I1I8-W Samuel H. Markowitt Atlantic City, N. J. GAS The Commodity for Every Use COOKING HEATING LIGHTING LAUNDRY WORK Demonstration and Display of All Modern Gas Appliances in Our Spacious Show Rooms Commercial Department Atlantic city gas company Michigan and Atlantic Area. 1