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Hes A Man of Many Parts Charles E. Evans, of “Wages for Wives,” Has Been Manager, Producer and Actor A real old-timer of the the atrical world will come to Atlantic City the week of July 28th with John Golden’s comedy of the family pocketbook, “Wages for Wives.” He is Charles E. Evans, who created the role of the judge in John Golden’s famous produc tion of “Lightnin’ ” and who has been in the theatre since he was twelve years old, as an actor, manager and producer. Mr. Evans, who played one role in “Lig.htnin’ ” so long that he actually came to have the manner isms of a lawyer and judge in his off-stage moments, began his stage career in 1872 over the protests of his parents, by hitting the road with an old-time variety show. He played with various small touring companies for more than ten years, and finally in 1884 came to his first important part. That was in a play entitled, “A Parlor Match,” and for a time before that engagement, he had been playing in a piece called “The Book Agent” which depicted the adventures of an old-time book peddler with a tramp. In 1884 with “A Parlor Match,” Mr. Evans began a part nership with “Old Hoss” Hoey which was destined to have a place in theatrical history. The team made “A Parlor Match” an elastic entertainment so that it could be changed from season to season and still remain a production and the play was presented in this way for twelve years. In 1894 Mr. Evans became a New York theatrical manager, and reopened the old Park The atre in New York as the Herald Square Theatre. After managing the theatre for nine years, he leased it to the Shuberts, and this move made it possible for the Shuberts to gain a foothold in New York. During his operations as a theatre manager he acquired the Smith and DeKoven opera companies, and produced the opera “The Mandarin.” He also pro duced “Puddenhead Wilson,” in which Frank Mayo was starred, and George Ade’s “The Shogun.” He played the chief comedy part in this production, himself. In 1896 Hoey and Evans revived “A Parlor Match,” but a year later Hoey died. That same year Mr. Evans introduced Anna Held to America with her now famous song, “Come /"lay Wiz me.” “Wages for Wives” was written by Guy Bolton and was staged by Winchell Smith, co-author of many of the Golden stage suc cesses. Two matinees will be given in Atlantic City, on Wed nesday and Saturday. Seat sale Thursday. Steeplechase THE FUNNY PLACE Many New and Novel Attractions Dawson’s Dancing Dolls Mon., Wed., Fri. 8:15 P. M. Nick Nichols and HIS ORCHESTRA DANCING 3:15 and 8:30 P. M. TANGO CONTESTS Every Saturday Night $30 Cash Prizes Children 30c Adults 50c BABY PEGGY Juvenile screen actress who has won the hearts of a large number of picture fans, is busy at the shore these days meeting her many admirers. She is being entertained by P. Mortimer Lewis, of the Bijou, Capitol, Ventnor and Plaza (Ocean City) theatres. Doaglas Fairbanks Here In “The Thief of Bagdad” Douglas Fairbanks in “The Thief of Bagdad,” at the Savoy Theatre, Atlantic City, transports his audience to the land of mystery and romance, where all things are possible and all dreams come true. This “Thief of Bagdad” is a glorious fantasy of the Arabian Nights. In it the agile Doug leads the way through the winding streets of Bagdad, past the far famed bazaars, stopping long enough to pick up a string of pearls or a gorgeous robe; down into the den of thieves and then over the palace walls into the boudoir of the beauteous Princess of Bagdad: a journey over the desert to the Old Man of the Sea, a decent to the bottom of the sea, and then up to the Citadel of the Moon. A Winged Horse, a Silver Wishing Box, a Golden Apple with the secret of life in its core, and then to the Caliphi’s palace again. Greatest of all is the adventure which lies in the Magic Carpet on which the Thief and the Princess soar over the house-tops. T.he glamour and thrills that came with a childhood reading of the “Arabian Nights,” are doubled in “The Thief of Bagdad.” PURDY’S PHILOS— Piling up wealth by sternly practicing thrift i s a wonderful virtue—in ancestors. I Whiteman and Orchestra Coming to Garden Pier Famous Harmony Group Will Be Heard at Shore Two Sunday . Afternoons in Local Theatre For lively syncopation, the kind that is brimful of pep, Paul White man his orchestra of twenty-five artists are said to virtually take the honors in this respect. But Whiteman is now attempting “an experiment in American music,” which is declared to be one of the most interesting of the busy mu sical season. As a part of his country-wide tour .Whiteman brings his aggrega tion to the shore Sunday afternoon at 3 o’clock, August 3d. This an nouncement is hailed with joy by those who have already heard the orchestra’s renditions by phono graph and there is an agreeable surprise awaiting those wiho have never heard the famous musicians. But from the response evidenced in connection with the first con cert it was only natural that two bookings should be made and so the Whiteman Orchestra will also be heard Sunday afternoon, August 10th. P. MORTIMER LEWIS, man ager of several local and Ocean City theatre houses, is more than busy this week entertaining the diminutive Baby Peggy Mont gomery, of movie fame. Mr. Lewis is seeing to it that Peggy is hav ing a fine time. Incidentally, she will broadcast this morning from Station WIP, control station of Gimbel Brothers of Philadelphia, on the Steel Pier. ATLANTIC CITY’S public sure likes to be kidded! At any rate, Sophie Tucker and Jack Osterman, headliners on last week’s B. F. Keith bill at the Globe, will attest to this statement for both suc ceeded in getting across the fact that they would shortly open a cabaret and manicuring parlor, respectively. “Took it hook, line and sinker,” remarks the genial Mr. Osterman. TRIPPING the light fantastic is a popular pastime. But it’ll prove even more popular when “Dance Lovers,” one of the Mac fadden publications, institutes its STEEL PIER Virginia Avenue and Boardwalk VESSELLA’S CONCERT BAND ORESTE VESSELLA, Conductor , 11:00 A. M. and 8:45 P. M. Comfort’s Philharmonic Orchestra ROY B. COMFORT, Director 3:30 P. M, and 8:00 P. M.—Sunday Evening at 8:45 MURPHY’S MINSTRELS MOTION PICTURES 3:30 & 8:45 P. M. Ballroom—3:30 & 8:30 P. M. CAKEWALK—Monday, Wednesday and Saturday, 8:45 P. M. DANCING Music Hall—Bob Leman’s Orchestra 4 to 5:30 and 9 to 11 P. M. CHILDREN’S CARNIVAL—Tues. and Thurs., 8:45 P. M. TED LEWIS “ The Jazz King ” “When My Baby Smiles At Me” ‘Member that song? It made Ted Lewis famous at the same time he made it famous. He’s been famous ever since—as the originator of modern jazz. < Coma and Dance to the Syncopated Melodic*. THE RITZ-CARLTON EVERY NIGHT 10 P. M. to 2 A. M. “Let My People Go!'* Crushed by the death of his son, Pharaoh (Charles de Roche) hearkens at last to the plea of Moses (Theodore Roberts) and bids Israel begone in “The Ten Commandments," by Cecil B. DeMille, at the Garden Pier Theatre. contest for the selection of At lantic City’s most adept dancers. The contest is being run in con junction with the regular dancing on the Music Hall floor of the Steel Pier every Tuesday evening for five successive weeks, starting last night. A RIDIN’ ROMEO is Fred Thompson, screen hero, who is rapidly acquiring the reputation of being very near *ble to out-Mix the famous actor. His horse, Silver King, is said to be one of the best in pictures and Manager Edward J. O'Keefe, of the Criter-1 ion and City Square Theatres, is1 enthusiastic about the two as they are good drawing cards. THEY HAVE SOME fun Thursday evenings in the Casino Hall when Murphly’s American Minstrels broadcast through the control stations of WIP, of Gimbel Brothers, in Philadelphia. All the entertainers take delight in sending their sounds over the ether and provide a snappy pro gram, with plenty of laughs for . their many listeners in. Garden Pier Theatre Direction Stanley Company of America—Phone Marine 2500 Twice Daily, 3 A 8.20 P. M.j Sunday Nighte at 8.20 ADOLPH ZUKOR and JESSE L. LASKY Preaent See It Now Endorsed By Every Person That Sees It A Paramount Production ('Famous Players-Lasky Corporation) “Stunning and Magnificent”—Philadelphia Eve. Bulletin. ALL SEATS RESERVED Prices: Matinees, 50c, 75c, *1.00 Nights, 75c, *1.00, $1.50 Garden Pier New Jersey Ave. and Boardwalk DANCING ...Every Evening... 8.30 to 12 O’clock -with• AL LEWIS and his FOLLIES ORCHESTRA Direction of Sydney Rose ADMISSION SOc not merely a restaurants a revelation? OK Boy! What Wonder ful Waffles and Dinner For Sixt}) Five Cents Open ’till Midnight Waffles at all Hours