Are You Going to be Left at the
The new Edison is going faster
and farther than any musical in
strument has ever gone before.
Ultimately is will go into every
home in this land. Are you go
ing to keep up or will you strag
gleebehind like a race horse that
was turned the wrong way of the
track when the barrier went up?
I HK SISSKTON XV KHK I.Y STA MURI».
RE-CREATION-WHftT IS IT?
Music's Re-Creation is a new art, known only to Thomas A.
Edison and his trusted assistants. $ The word Re-Creation has
been adopted by music critics to designate the perfect musica
results accomplished by Mr. Edison's latest and perhaps most
This new instrument Re-Creates every voice and every förm of music with such
literal perfection that the Re-creation cannot be distinguished from the original
performance when heard in direct comparison.
This astounding test has been successfully made in all the principal cities of
the United States, and the music critics of America's leading newspapers concede
freely in the columns of their own papers that Edison's Re-Creation of speech,
song and music are indistinguishable from the original.
The wonderful diamond stylus brings out the delicate undertones which
give purity and richness. It makes possible the re-creation of the artist's tones.
No troublesome needles to change. That bother is done away with. Wear on
records have been reduced to minimum. For the diamond stylus simply floats
over the record. Edison records are indestructable.
Come in and ask to hear your own favorites from the great lib
rary of Edison Records. We will be glad to play them for you.
GROSS DRUG AND JEWELRY STORE
The New Edison supplies what
you miss. Play it on your front
porch, or in your house with
wide open windows. The neigh
bors won't object. The new Edi
son is not a talking machine. It
is a wonderful new invention,
which re-creates all forms of mu
sic in a way that baffles detection
from the original.
Won't you please call, or write
or telephone for further informa
about this new invention? Price $200
Sisseton, S. Dak.
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